Importing and exploring the kramerian theory of musical postmodernism within contemporary Jazz performance
Carter, James Stuart Read
10.4225/03/583cf7b047406
https://bridges.monash.edu/articles/thesis/Importing_and_exploring_the_kramerian_theory_of_musical_postmodernism_within_contemporary_Jazz_performance/4264562
Jonathan Kramer specifies that musical postmodernism is capable of both embracing and repudiating history. This performance portfolio incorporates Kramer's ideas along with Crook's, Evans's and Galper's practical approaches for an investigation into the manipulation of melodic and rhythmic elements of improvisation via my simultaneous acceptance and rejection of American saxophonist Lee Konitz's musical language. Additional material(s) submitted with thesis.
2016-11-29 03:36:14
monash:163881
ethesis-20160112-14433
Postmodernism
1959.1/1232272
Improvisation
Open access: open access to thesis full text.
2015
thesis(masters)
Art